EFT Agricultural Drone Front Obstacle Avoidance Radar Mount (Front)
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Product Information
Description
The EFT mounting bracket has a lightweight and compact design that makes it easy to use and store. It is made of high-strength plastic that is durable and rust-resistant. The installation process is simple and quick. You can set it up or take it down in seconds.
Features:
Perfect design
Fixed firmly.
Easy installation
Package Includes:
1 x EFT Agricultural Drone Front Obstacle Avoidance Radar Mount
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Frequently Asked Questions
The Mavic 3 Pro Series boasts upgraded imaging performance compared to the Mavic 3 and Mavic 3 Classic, featuring DJI’s first tri-camera flagship drones with multiple focal lengths. It includes a wide-angle 4/3 CMOS Hasselblad camera, a 1/1.3-inch CMOS 70mm medium tele camera with 48MP, and a 1/2-inch CMOS 166mm tele camera with 12MP. All cameras support 4K/60fps video, while the Cine version is compatible with Apple ProRes. This series is ideal for those seeking more focal length options and creative storytelling, and it supports Hasselblad Natural Colour Solution (HNCS), D-Log, and HLG, enhancing post-production color grading.
The Mavic 3 Pro Series boasts upgraded imaging performance compared to the Mavic 3 and Mavic 3 Classic, featuring DJI’s first tri-camera flagship drones with multiple focal lengths. It includes a wide-angle 4/3 CMOS Hasselblad camera, a 1/1.3-inch CMOS 70mm medium tele camera with 48MP, and a 1/2-inch CMOS 166mm tele camera with 12MP. All cameras support 4K/60fps video, while the Cine version is compatible with Apple ProRes. This series is ideal for those seeking more focal length options and creative storytelling, and it supports Hasselblad Natural Colour Solution (HNCS), D-Log, and HLG, enhancing post-production color grading.
The Mavic 3 Pro Series boasts upgraded imaging performance compared to the Mavic 3 and Mavic 3 Classic, featuring DJI’s first tri-camera flagship drones with multiple focal lengths. It includes a wide-angle 4/3 CMOS Hasselblad camera, a 1/1.3-inch CMOS 70mm medium tele camera with 48MP, and a 1/2-inch CMOS 166mm tele camera with 12MP. All cameras support 4K/60fps video, while the Cine version is compatible with Apple ProRes. This series is ideal for those seeking more focal length options and creative storytelling, and it supports Hasselblad Natural Colour Solution (HNCS), D-Log, and HLG, enhancing post-production color grading.
The Mavic 3 Pro Series boasts upgraded imaging performance compared to the Mavic 3 and Mavic 3 Classic, featuring DJI’s first tri-camera flagship drones with multiple focal lengths. It includes a wide-angle 4/3 CMOS Hasselblad camera, a 1/1.3-inch CMOS 70mm medium tele camera with 48MP, and a 1/2-inch CMOS 166mm tele camera with 12MP. All cameras support 4K/60fps video, while the Cine version is compatible with Apple ProRes. This series is ideal for those seeking more focal length options and creative storytelling, and it supports Hasselblad Natural Colour Solution (HNCS), D-Log, and HLG, enhancing post-production color grading.
The Mavic 3 Pro Series boasts upgraded imaging performance compared to the Mavic 3 and Mavic 3 Classic, featuring DJI’s first tri-camera flagship drones with multiple focal lengths. It includes a wide-angle 4/3 CMOS Hasselblad camera, a 1/1.3-inch CMOS 70mm medium tele camera with 48MP, and a 1/2-inch CMOS 166mm tele camera with 12MP. All cameras support 4K/60fps video, while the Cine version is compatible with Apple ProRes. This series is ideal for those seeking more focal length options and creative storytelling, and it supports Hasselblad Natural Colour Solution (HNCS), D-Log, and HLG, enhancing post-production color grading.
The Mavic 3 Pro Series boasts upgraded imaging performance compared to the Mavic 3 and Mavic 3 Classic, featuring DJI’s first tri-camera flagship drones with multiple focal lengths. It includes a wide-angle 4/3 CMOS Hasselblad camera, a 1/1.3-inch CMOS 70mm medium tele camera with 48MP, and a 1/2-inch CMOS 166mm tele camera with 12MP. All cameras support 4K/60fps video, while the Cine version is compatible with Apple ProRes. This series is ideal for those seeking more focal length options and creative storytelling, and it supports Hasselblad Natural Colour Solution (HNCS), D-Log, and HLG, enhancing post-production color grading.
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