MR30 Female Connector – MR30-F.G.Y Amass Connector
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Description
MR30 Female Connector – MR30-F.G.Y Amass Connector is a high-quality, reliable electrical connector designed for secure connections in various electronic and aerospace applications. It is particularly well-suited for use in drone and RC (remote control) systems, where durability and precise connectivity are essential.
Features:
Versatile Use
High-Quality Contacts
Compact Design
Robust Construction
Secure Connection
Applications:
Ideal for battery and motor controller connections in RC vehicles, airplanes, and boats.
Used in drones and UAVs for stable, lightweight, and efficient power connections.
Package Includes:
1 x Amass MR30 Female Connector – MR30-F.G.Y
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Frequently Asked Questions
The Mavic 3 Pro Series boasts upgraded imaging performance compared to the Mavic 3 and Mavic 3 Classic, featuring DJI’s first tri-camera flagship drones with multiple focal lengths. It includes a wide-angle 4/3 CMOS Hasselblad camera, a 1/1.3-inch CMOS 70mm medium tele camera with 48MP, and a 1/2-inch CMOS 166mm tele camera with 12MP. All cameras support 4K/60fps video, while the Cine version is compatible with Apple ProRes. This series is ideal for those seeking more focal length options and creative storytelling, and it supports Hasselblad Natural Colour Solution (HNCS), D-Log, and HLG, enhancing post-production color grading.
The Mavic 3 Pro Series boasts upgraded imaging performance compared to the Mavic 3 and Mavic 3 Classic, featuring DJI’s first tri-camera flagship drones with multiple focal lengths. It includes a wide-angle 4/3 CMOS Hasselblad camera, a 1/1.3-inch CMOS 70mm medium tele camera with 48MP, and a 1/2-inch CMOS 166mm tele camera with 12MP. All cameras support 4K/60fps video, while the Cine version is compatible with Apple ProRes. This series is ideal for those seeking more focal length options and creative storytelling, and it supports Hasselblad Natural Colour Solution (HNCS), D-Log, and HLG, enhancing post-production color grading.
The Mavic 3 Pro Series boasts upgraded imaging performance compared to the Mavic 3 and Mavic 3 Classic, featuring DJI’s first tri-camera flagship drones with multiple focal lengths. It includes a wide-angle 4/3 CMOS Hasselblad camera, a 1/1.3-inch CMOS 70mm medium tele camera with 48MP, and a 1/2-inch CMOS 166mm tele camera with 12MP. All cameras support 4K/60fps video, while the Cine version is compatible with Apple ProRes. This series is ideal for those seeking more focal length options and creative storytelling, and it supports Hasselblad Natural Colour Solution (HNCS), D-Log, and HLG, enhancing post-production color grading.
The Mavic 3 Pro Series boasts upgraded imaging performance compared to the Mavic 3 and Mavic 3 Classic, featuring DJI’s first tri-camera flagship drones with multiple focal lengths. It includes a wide-angle 4/3 CMOS Hasselblad camera, a 1/1.3-inch CMOS 70mm medium tele camera with 48MP, and a 1/2-inch CMOS 166mm tele camera with 12MP. All cameras support 4K/60fps video, while the Cine version is compatible with Apple ProRes. This series is ideal for those seeking more focal length options and creative storytelling, and it supports Hasselblad Natural Colour Solution (HNCS), D-Log, and HLG, enhancing post-production color grading.
The Mavic 3 Pro Series boasts upgraded imaging performance compared to the Mavic 3 and Mavic 3 Classic, featuring DJI’s first tri-camera flagship drones with multiple focal lengths. It includes a wide-angle 4/3 CMOS Hasselblad camera, a 1/1.3-inch CMOS 70mm medium tele camera with 48MP, and a 1/2-inch CMOS 166mm tele camera with 12MP. All cameras support 4K/60fps video, while the Cine version is compatible with Apple ProRes. This series is ideal for those seeking more focal length options and creative storytelling, and it supports Hasselblad Natural Colour Solution (HNCS), D-Log, and HLG, enhancing post-production color grading.
The Mavic 3 Pro Series boasts upgraded imaging performance compared to the Mavic 3 and Mavic 3 Classic, featuring DJI’s first tri-camera flagship drones with multiple focal lengths. It includes a wide-angle 4/3 CMOS Hasselblad camera, a 1/1.3-inch CMOS 70mm medium tele camera with 48MP, and a 1/2-inch CMOS 166mm tele camera with 12MP. All cameras support 4K/60fps video, while the Cine version is compatible with Apple ProRes. This series is ideal for those seeking more focal length options and creative storytelling, and it supports Hasselblad Natural Colour Solution (HNCS), D-Log, and HLG, enhancing post-production color grading.
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