MR30 Male Connector – MR30-M.G.Y Amass Connector
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Description
MR30 Male Connector – MR30-M.G.Y Amass Connector is a specialized electrical connector designed primarily for use in radio-controlled (RC) hobby applications, particularly for connecting batteries to power systems in RC vehicles and drones.
Features:
Easy to use
Easy to connect
Good quality product
Applications:
Used for battery and ESC (Electronic Speed Controller) connections in RC cars, boats, and aircraft.
Applied in drones and multirotors for compact, high-efficiency power connections.
Package Includes:
1 x Amass MR30 Male Connector – MR30-M.G.Y
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Frequently Asked Questions
The Mavic 3 Pro Series boasts upgraded imaging performance compared to the Mavic 3 and Mavic 3 Classic, featuring DJI’s first tri-camera flagship drones with multiple focal lengths. It includes a wide-angle 4/3 CMOS Hasselblad camera, a 1/1.3-inch CMOS 70mm medium tele camera with 48MP, and a 1/2-inch CMOS 166mm tele camera with 12MP. All cameras support 4K/60fps video, while the Cine version is compatible with Apple ProRes. This series is ideal for those seeking more focal length options and creative storytelling, and it supports Hasselblad Natural Colour Solution (HNCS), D-Log, and HLG, enhancing post-production color grading.
The Mavic 3 Pro Series boasts upgraded imaging performance compared to the Mavic 3 and Mavic 3 Classic, featuring DJI’s first tri-camera flagship drones with multiple focal lengths. It includes a wide-angle 4/3 CMOS Hasselblad camera, a 1/1.3-inch CMOS 70mm medium tele camera with 48MP, and a 1/2-inch CMOS 166mm tele camera with 12MP. All cameras support 4K/60fps video, while the Cine version is compatible with Apple ProRes. This series is ideal for those seeking more focal length options and creative storytelling, and it supports Hasselblad Natural Colour Solution (HNCS), D-Log, and HLG, enhancing post-production color grading.
The Mavic 3 Pro Series boasts upgraded imaging performance compared to the Mavic 3 and Mavic 3 Classic, featuring DJI’s first tri-camera flagship drones with multiple focal lengths. It includes a wide-angle 4/3 CMOS Hasselblad camera, a 1/1.3-inch CMOS 70mm medium tele camera with 48MP, and a 1/2-inch CMOS 166mm tele camera with 12MP. All cameras support 4K/60fps video, while the Cine version is compatible with Apple ProRes. This series is ideal for those seeking more focal length options and creative storytelling, and it supports Hasselblad Natural Colour Solution (HNCS), D-Log, and HLG, enhancing post-production color grading.
The Mavic 3 Pro Series boasts upgraded imaging performance compared to the Mavic 3 and Mavic 3 Classic, featuring DJI’s first tri-camera flagship drones with multiple focal lengths. It includes a wide-angle 4/3 CMOS Hasselblad camera, a 1/1.3-inch CMOS 70mm medium tele camera with 48MP, and a 1/2-inch CMOS 166mm tele camera with 12MP. All cameras support 4K/60fps video, while the Cine version is compatible with Apple ProRes. This series is ideal for those seeking more focal length options and creative storytelling, and it supports Hasselblad Natural Colour Solution (HNCS), D-Log, and HLG, enhancing post-production color grading.
The Mavic 3 Pro Series boasts upgraded imaging performance compared to the Mavic 3 and Mavic 3 Classic, featuring DJI’s first tri-camera flagship drones with multiple focal lengths. It includes a wide-angle 4/3 CMOS Hasselblad camera, a 1/1.3-inch CMOS 70mm medium tele camera with 48MP, and a 1/2-inch CMOS 166mm tele camera with 12MP. All cameras support 4K/60fps video, while the Cine version is compatible with Apple ProRes. This series is ideal for those seeking more focal length options and creative storytelling, and it supports Hasselblad Natural Colour Solution (HNCS), D-Log, and HLG, enhancing post-production color grading.
The Mavic 3 Pro Series boasts upgraded imaging performance compared to the Mavic 3 and Mavic 3 Classic, featuring DJI’s first tri-camera flagship drones with multiple focal lengths. It includes a wide-angle 4/3 CMOS Hasselblad camera, a 1/1.3-inch CMOS 70mm medium tele camera with 48MP, and a 1/2-inch CMOS 166mm tele camera with 12MP. All cameras support 4K/60fps video, while the Cine version is compatible with Apple ProRes. This series is ideal for those seeking more focal length options and creative storytelling, and it supports Hasselblad Natural Colour Solution (HNCS), D-Log, and HLG, enhancing post-production color grading.
