EFT Rader Fixing Part / Flat
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Product Information
Description
EFT Rader Fixing Part / Flat : Ensure precision and reliability in obstacle avoidance with this EFT radar fixing part, specifically designed for the EP Series agri drones. It serves as a robust support system for obstacle avoidance radars, maintaining functionality even in demanding farming environments.
Key Features and Applications:
Compatibility: Exclusively designed for EFT EP Series drones
Material: Durable construction for long-lasting use
Functionality: Fixes obstacle avoidance radar securely for seamless operation
Ease of Use: Simple installation process with provided guidance
Package Includes:
1 x Radar Fixing Part for EFT EP Series
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Frequently Asked Questions
The Mavic 3 Pro Series boasts upgraded imaging performance compared to the Mavic 3 and Mavic 3 Classic, featuring DJI’s first tri-camera flagship drones with multiple focal lengths. It includes a wide-angle 4/3 CMOS Hasselblad camera, a 1/1.3-inch CMOS 70mm medium tele camera with 48MP, and a 1/2-inch CMOS 166mm tele camera with 12MP. All cameras support 4K/60fps video, while the Cine version is compatible with Apple ProRes. This series is ideal for those seeking more focal length options and creative storytelling, and it supports Hasselblad Natural Colour Solution (HNCS), D-Log, and HLG, enhancing post-production color grading.
The Mavic 3 Pro Series boasts upgraded imaging performance compared to the Mavic 3 and Mavic 3 Classic, featuring DJI’s first tri-camera flagship drones with multiple focal lengths. It includes a wide-angle 4/3 CMOS Hasselblad camera, a 1/1.3-inch CMOS 70mm medium tele camera with 48MP, and a 1/2-inch CMOS 166mm tele camera with 12MP. All cameras support 4K/60fps video, while the Cine version is compatible with Apple ProRes. This series is ideal for those seeking more focal length options and creative storytelling, and it supports Hasselblad Natural Colour Solution (HNCS), D-Log, and HLG, enhancing post-production color grading.
The Mavic 3 Pro Series boasts upgraded imaging performance compared to the Mavic 3 and Mavic 3 Classic, featuring DJI’s first tri-camera flagship drones with multiple focal lengths. It includes a wide-angle 4/3 CMOS Hasselblad camera, a 1/1.3-inch CMOS 70mm medium tele camera with 48MP, and a 1/2-inch CMOS 166mm tele camera with 12MP. All cameras support 4K/60fps video, while the Cine version is compatible with Apple ProRes. This series is ideal for those seeking more focal length options and creative storytelling, and it supports Hasselblad Natural Colour Solution (HNCS), D-Log, and HLG, enhancing post-production color grading.
The Mavic 3 Pro Series boasts upgraded imaging performance compared to the Mavic 3 and Mavic 3 Classic, featuring DJI’s first tri-camera flagship drones with multiple focal lengths. It includes a wide-angle 4/3 CMOS Hasselblad camera, a 1/1.3-inch CMOS 70mm medium tele camera with 48MP, and a 1/2-inch CMOS 166mm tele camera with 12MP. All cameras support 4K/60fps video, while the Cine version is compatible with Apple ProRes. This series is ideal for those seeking more focal length options and creative storytelling, and it supports Hasselblad Natural Colour Solution (HNCS), D-Log, and HLG, enhancing post-production color grading.
The Mavic 3 Pro Series boasts upgraded imaging performance compared to the Mavic 3 and Mavic 3 Classic, featuring DJI’s first tri-camera flagship drones with multiple focal lengths. It includes a wide-angle 4/3 CMOS Hasselblad camera, a 1/1.3-inch CMOS 70mm medium tele camera with 48MP, and a 1/2-inch CMOS 166mm tele camera with 12MP. All cameras support 4K/60fps video, while the Cine version is compatible with Apple ProRes. This series is ideal for those seeking more focal length options and creative storytelling, and it supports Hasselblad Natural Colour Solution (HNCS), D-Log, and HLG, enhancing post-production color grading.
The Mavic 3 Pro Series boasts upgraded imaging performance compared to the Mavic 3 and Mavic 3 Classic, featuring DJI’s first tri-camera flagship drones with multiple focal lengths. It includes a wide-angle 4/3 CMOS Hasselblad camera, a 1/1.3-inch CMOS 70mm medium tele camera with 48MP, and a 1/2-inch CMOS 166mm tele camera with 12MP. All cameras support 4K/60fps video, while the Cine version is compatible with Apple ProRes. This series is ideal for those seeking more focal length options and creative storytelling, and it supports Hasselblad Natural Colour Solution (HNCS), D-Log, and HLG, enhancing post-production color grading.
